Four Seasons – Autumn, is available to purchase individually for £5,500, or, the suite of Four Seasons, four-paintings, can be purchased as a complete set for £18,500.

“Welcome to our studio and thank you for dropping by to view this miniature Masterworks oil painting, ‘Four Seasons – Spring”. One of a suite of four paintings in a collection to celebrate the distinct nature of the four seasons.

Having always wanted to capture a specific view that epitomises our landscape, here in the Highlands of Scotland, as it changes throughout the seasons, this scene provided the perfect opportunity. Being close to our cottage and studio, I could wait for those special moments when light and colour combine to perfection.

AUTUMN – The light was almost gone in this late afternoon view. These are the days getting shorter as we head into Winter. The distant lighthouse blinked sharply against the dusk-laden sky, tinged orange from the setting sun, which in turn, is reflected on the sea below. Sheep hung ghostly in the gloom. You can almost hear the silence of this scene, as all about settle down for the night.

SUBJECT – Colours change so frequently here that at first glance it almost doesn’t seem to be the same view. The distant farm is the key, its silhouette remains unchanged throughout the four paintings. However, the prominence given to this group of buildings does vary, dictated by the effects of the light all around.

COMPOSITION – This gently varies from painting to painting. In each case, the horizon is moved depending on the importance of the land versus the sky, or vice versa. Interestingly the varying direction of light also sculpts the forms in assorted ways. This is most vividly seen on the farm buildings, where the diverse characteristics of surfaces are lit from different directions; sometimes seen as a dark silhouette against more gentle light, others sharp-edged with the winter snow. It is also fascinating how changing weather conditions bring different elements into focus. Each variable demands a different approach to the composition, to fully exploit the beauty of the elements that influence this ever-changing landscape.

METHOD & TECHNIQUE – Being miniature oil paintings, these landscapes demanded very precise brushwork. Impasto layers of paint, coupled with glazes and tints - the traditional tools of the oil painter - are used extensively. Flat areas of colour is used to make areas fall back, so that they demand less attention; whereas impasto application provides texture and focus. Tints and glazes, either soften or intensify colour, providing semi-opaque or transparent colour mixes, to enhance the underlaying structure of the paint surface – essential in rendering depth and form to the composition.

As always, we thank you for reading and watching, with best wishes from Eileen and myself,”

Paul Taggart

Artist : Author : Presenter : Producer